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Posted On: 21 September 2011 08:17 am
Updated On: 12 November 2020 02:11 pm

DTFF to feature eight world premieres

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DOHA: Fourteen feature films and documentaries are vying for top honours at the 2011 Doha Tribeca Film Festival’s (DTFF) Arab Film Competition next month. Featuring eight world premieres, the Competition, in its second year, has been expanded and split into two juried segments of narrative and documentary films, with a set of new awards up for grabs including: Best Arab Narrative Feature; Best Arab Narrative Director; Best Narrative Performance Award; Best Arab Documentary Feature; and Best Arab Documentary Director. The Festival will also feature two audience awards; for Best Narrative Film and Best Documentary with cash prizes of $100,000 each. The 2011 Arab Film Competition will feature a diverse and wide ranging lineup, including seven narrative films and seven documentaries, which centre around childhood and love, the turbulence of revolution, the inner world of Arab life and films which reveal the true nature of the lives of contemporary Arab women. Competing in the narrative film category are A Man of Honour by Jean-Claude Codsi, Red Heart (Halkawt Mustafa), How Big Is Your Love (Fatma Zohra Zamoum), El Shooq/Lust (Khaled El Hagar), Smuggler’s Song (Rabah Ameur-Zaimeche), Normal (Merzak Allouache) and Omar Killed Me (Roschdy Zem). The exciting line-up of documentaries comprise Rouge Parole (Elyes Baccar), The Three Disappearances of Soad Hosni (Rania Stephan), Yearning (Lina Alabed), Crayons of Askalan (Laila Hotait Salas), The Virgin, The Copts and Me (Namir Abdel Messeeh), Boxing With Her (Latifa Robbana Doghri) and On the Road to Downtown (Sherif El Bendary). All films at the festival will be subtitled in both Arabic and English, aiming to provide full cinematic access for audiences. Leading the five-member Narrative Film Competition Jury will be award-winning Syrian director Mohammed Malas, a filmmaking auteur widely recognised across the Arab World for his critical and socially engaging cinema. Among his most important films are Dreams of the City (1983) and The Night (1992) based on auto-biographical motifs, as well as The Dream (1981), a documentary that was shot in the Palestinian refugee camps of Sabra and Shatila in Beirut shortly before the massacres of 1982. Highlighting the importance of the Arab Film Competition for regional filmmakers, Malas said: “To be selected as Jury President is a great honour and also a great responsibility – one which I take very seriously- especially with the current changes in the Arab world. The Arab Film Competition is an important tool for supporting and promoting Arab films in this part of the world and providing an important recognition to emerging and established filmmakers. The Competition places select regional films up on an international platform, opening up various doors for films to gain exposure and distribution opportunities outside of the Arab World, which remains a fundamental issue within the regional industry.” Executive Director of DFI, Amanda Palmer said: “Having someone of Mohammad Malas’ calibre lead our Narrative Jury, whose films have profoundly shaped the identity of realistic Arab Cinema, will bring the level of insight, experience and understanding needed to discover and illuminates storytellers from this region” “In our third year, we chose to expand the Competition, mainly because of the strength of this year’s submissions, which our Arab programmers believed we could do justice to. It’s also exciting to see not only an increase of submissions generally, but more representation of films from female directors, as well as an increase in films from all over North Africa. And while it is the year of the Arab Spring, it’s been inspiring to see the maturity of films from all genres reflecting original voices and stories from the Arab World,” she added. “The films in our Arab Film Competition capture the lives, loves and modern day realities faced by everyday people in the region. They reflect the dreams, imagination, ideas and aspirations of the Arab world, both defined geographically and as people scattered around the globe,” said Hania Mroue, DFI’s Chief Arab Programmer. The Peninsula